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Gerontophilia: Love that’s shockingly unshocking, Review
Gerontophilia: Love that’s shockingly unshocking, Review

Gerontophilia: Love that’s shockingly unshocking, Review

For Bruce LaBruce, making a film about an 18-year-old boy who falls in love with an 81-year-old man is taking it down a notch.

The veteran Toronto director is used to trading in outrageous themes and explicit sex scenes. In that light, his new movie, Gerontophilia, is as close as he gets to making a mainstream romantic comedy.

“Gerontophilia” premiered to a standing ovation at the Venice International Film Festival last year and subsequently had its North American premiere at the Toronto International Film Festival before playing at numerous international and LGBT film festivals, including the Rekjavik, Stockholm, Rio de Janeiro, Palm Springs, Oslo, Guadalajara, Istanbul, and Moscow International Film Festivals. It has also been selected as the closing night film for this year’s Newfest Festival in New York in late July.

“I wanted to shock people by making a film that isn’t shocking,” LaBruce said. “It has what some people may think is a shocking premise, but it’s presented in a more romantic style. It’s a kinder, gentler subversion that I’m after.”

Lake is an unusual boy: he is a young man with an old soul who discovers he has an odd fixation on the elderly. Realizing that some day, if fate allows, he will be one himself, he is particularly fascinated by old men. He imagines their age to be a beautiful thing and recognizes how these men where once young and vibrant and attractive, as he is now. Although Lake has a girlfriend his own age, named Desiree, he wonders sometimes if his fixation on old men is unnatural and unhealthy – perhaps even sexual.

When his mother, who is a nurse, takes on a management job at an old folks home, Lake jumps at her offer of a summer job as an orderly there. Gradually, Lake comes to discover that the old people in the institution are being given psychotropic drugs to keep them in a catatonic state. Lake befriends one old man in particular, Mr. Peabody, who still seems to have some fight left in him. They begin to form a strong bond. Mr. Peabody charms Lake with romantic stories of his youth and confesses his dreams of seeing the ocean one last time. Avoiding the vigilant eye of Nurse Stonehenge, who administers shots and pills to the old folks, Lake starts to wean Mr. Peabody off his medication.

Eventually, Lake springs Mr. Peabody from the institution. Together they embark on a road trip telling everyone they meet that the old man is his grandfather and that they’re driving to the ocean. After numerous life- changing escapades, Lake is finally ready to accept his true feelings for Mr. Peabody, but everything changes when the trip takes an unexpected turn.


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